Bilingual
On-Set VFX Supervision
for Shoots in Latin America
We act as your on-set eyes and bicultural translation layer for shoots in Latin America; aligning directors, agency/client, production and your VFX vendor to capture what’s needed, avoid miscommunication, and protect the budget. Our work ends at a clean, vendor-ready handoff.
10+ years on set • ES/EN bicultural team • Vendor-friendly • Mexico + LATAM coverage
What we bring to the table
No loss in translation
(ES/EN + bicultural)
We prevent creative intent and technical requirements from getting lost between:
Direction ⇄ Production ⇄ Vendors.
Budget + feasibility translation
We translate “cool idea” into “what’s viable, what it costs, and what it takes”—so production can make smart decisions fast.
Executive-ready communication
We’re used to working directly with directors, agencies, and demanding clients—clear, calm, and decisive under pressure.
Vendor-friendly by design
We integrate as an extension of your VFX Producer / Post VFX Supervisor—so your team stays in post while we run sets.
Clients
WHAT WE DO
Pre-Production Support
- VFX pre-brief aligned with your Post VFX Supervisor / Producer
- Tech scout support (as needed)
- Capture plan + risk list + shot requirements
- Alignment with DP / Art / Production for efficient on-set execution
On-Set VFX Supervision
- On-set continuity for VFX/CG needs
- Practical capture guidance and coordination
- Fast, clear decision-making and communication across departments
- Daily reporting and documentation designed for post efficiency
Vendor-Ready Handoff (End of service)
- Daily VFX Report (PDF)
- Lens & distortion notes
- HDRI set (when captured)
- Witness references (when captured)
- Chrome/Gray ball references (when captured)
OUR SUPERVISORS

Jorge GranadosJorge GranadosJorge Granados

Miguel LavinMiguel LavinMiguel Lavin

Miguel de HoyosMiguel de HoyosMiguel de Hoyos

Jaylene AineJaylene AineJaylene Aine

Mich SanabiaMich SanabiaMich Sanabia

Abraham ReyesAbraham ReyesAbraham Reyes
Pre-Production
Tech scout + capture planning to protect the shoot and the post budget.
- Tech scout support + shot requirements checklist
- Capture plan + risk list (department-ready)
- Alignment with Director, Production, and DP
On-Set Call Day
Your on-set Visual Effects eyes—fast decisions, clean communication, vendor-ready documentation.
- Up to 12h included
- Daily reporting designed for post efficiency
- Travel Day billed at 50% of the day rate.
WHY A FIRM
More reliable than freelance supervision
- Backed by a company, not a single person
- Supported by production leadership (coverage, logistics, continuity)
- Clear contracts, NDAs, structured process
- Bench strength: 3–4 supervisors available in parallel for overlapping shoots
FAQ
No. We work as your post lead’s on-set extension—aligned to your pipeline and priorities.
We can support remotely when appropriate, but our core offer is on-set supervision for LATAM shoots.
Mexico, Colombia, Argentina, Uruguay, Peru, Ecuador. For other countries, we confirm feasibility and timeline.
Daily VFX Report (PDF) + lens/distortion notes + HDRIs / witness references / chrome-gray ball references when captured—packaged for your vendor.
Sometimes, yes—We can scope it if requested.











